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Fine Art, Modern, Robert Courtright, Porta San Lorenzo, Architectural Collage

$2,650

Robert Courtright (1926-2012)
Porta San Lorenzo, Rome
American: 1955
Paper and newspaper collage, ink, crayon and pastel
14.75 x 29 inches
Signed in pencil lower right Courtright and dated ’55; Titled verso in pencil
Provenance: The New Gallery, 601 Madison Avenue, New York (with original label)
$2,650

Semi-abstract mixed-media collage by Robert Courtright, inspired by the architectural forms of the Porta San Lorenzo in Rome, in tones of beige, grey, black and white. Under a sky rendered in white pastel, the arch is formed from a collage of hand cut and hand torn papers, including Italian printed paper. The artist incorporates inked and crayon details, including words in Latin, lettered in ink — probably taken from the inscription above the actual gate. The white sky is colored with pastel. This is an excellent example of Courtright’s early collages of the architecture of Rome, where he relocated in about 1953.

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Description

The Porta San Lorenzo, also known as Porta Tiburtina, was an aqueduct constructed by the emperor Augustus in 5 BC, and later incorporated into the Aurelian walls, which were built in the 3rd century AD to protect the city. This is stated in an inscription above the gate, which also mentions restoriations carried out by emperor Honorius in the early 5th century. The name of this gate, as well as the name of the neighborhood, comes from the basilica of San Lorenzo Outside the Walls, located about a half mile further down the road Via Tiburtina.

Robert Courtright was an American collage artist and painter. He grew up in Sumpter, South Carolina where he developed an interest in historical architecture. He studied at St. John’s College in Annapolis, Maryland and the New School for Social Research. As a student at the Art Students League in New York he was instructed by numerous accomplished artists including Jack Levine and Vaclav Vytlacil. He relocated to Rome in 1953 and began to create collages of local architecture made of various paper materials. He continued this work into the 1960s. Later his work turned to abstract grid collages employing “color and texture in visual patterns using paper and acrylic paint mounted to wood panels.” His work was exhibited widely, and is represented in such collections as the Metropolitan Museum of Art, Carnegie Institute, Aldrich Museum of Contemporary Art, Phillips Collection, and San Francisco Museum of Modern Art and Thyssen-Bornemisza Collection, Lugano, Switzerland.

Condition: Generally very good with the usual over all light toning, wear, handling. Some slight irregularities to white pastel sky. Some masking tape residue verso.

References:

Courtright, Robert (1926-2012), The Johnson Collection, https://thejohnsoncollection.org/robert-courtright/ (8 July 2025).

“The City Walls: Aurelian’s Walls.” DIY Rome.http://www.geocities.com/mp_pollett/walls.htm#hist and http://www.geocities.com/mp_pollett/aurel21.htm (24 March 2003).

Who’s Who in American Art 1989-90. New York: R.R. Bowker, 1989. 18th ed. pp. 220-221.

Additional information

Century

20th Century