Click main image below to view enlargements and captions.

Sporting Art, Horses, George Stubbs, Two Hunters Hacks, Antique Print Pair, c. 1792

$3,800

George Stubbs, A.R.A. (1724-1806) (after)
George Townly Stubbs (1756-1815) (engraver)
Two Hunters
Two Hacks

George Townly Stubbs, London: January 1792
Roulette work and line etching, printed in color, finished by hand
13.25 x 18.25 inches, image
15.75 x 19.5 inches, overall
$3,800, the pair

Pair of horse portrait prints after paintings by the preeminent British horse artist of the 18th century, George Stubbs. Two Hunters and Two Hacks are considered companion pieces. Two Hunters (Lennox-Boyd 95) shows two bay hunting horses facing each other beside a large tree in the countryside. Two Hacks (Lennox-Boyd 94) shows two saddled horses in an open field, one ridden by a groom and leading the other. Both prints were published and etched by Stubbs’s son, George Townly Stubbs, who sold both uncolored impressions and color-printed impressions of them. They are innovative and sophisticated examples of the printmaker’s art, employing grainy stipple engraving — an etching technique — through the use of a rocker, to achieve a variety of tones that makes the prints more akin to watercolors.

Description

Both prints are based on oils George Stubbs painted for Henry Utrick Reay (b. 1750). The prints are inscribed under the titles with a dedication by George Townly Stubbs to Reay, a lawyer, colliery proprietor and wealthy landowner in Northumberland and County Durham. Reay was also a riding enthusiast. The original oil of Two Hunters (1786) is now in the South African National Gallery, Sir Abe Bailey Collection. The original oil of Two Hacks (1789) is in the collection of the Huntington Library, Art Collections and Botanical Gardens.

George Stubbs (1724-1806) was one of the greatest sporting artists of Georgian England. He combined science and art by painting animals with anatomical precision. After a visit to Rome and a period of residence in Liverpool, he returned to England in 1760. He also drew horses based on dissections, and in 1766 published a monumental series of engravings, Anatomy of the Horse, which cemented his reputation as a master of the subject. His vast body of work includes paintings of the prize horses of England of the late 18th century, often with their proud owners or trainers. He also painted hunting scenes, and wild animals such as lions and tigers, including some with lions stalking horses. Stubbs served as president of the Society of Artists in 1773 and though he had his quarrels with the Royal Academy, he exhibited there periodically and was elected as an Associate in 1780. Many of his paintings are in the world’s major museums, with a large number represented in the Yale Center for British Art (Paul Mellon Collection). Some of the greatest engravers and printers of the day were engaged to render Stubbs’ animal pictures as prints, including William Woollett (1735-1785), and Stubbs’ son, the printmaker George Townly Stubbs (1756-1815) (sometimes spelled “Townley”).

Inscription below Two Hunters, with Reay’s coat of arms: “Two Hunters. Belonging to Henry, U, Reay of Burn Hall in the County of Durham, Esq’r. to whom this Plate is Dedicated by his much Obliged H’ble Ser. Geo. Townly Stubbs. Painted by George Stubbs. Engraved by Geo. Townly Stubbs. London Pubd. Jany. 1792 by Geo. Townly Stubbs No. 14 John Street Adelphi.”

Inscription below Two Hacks, with Reay’s coat of arms: “Two Hacks Belonging to Henry, U. Reay of Burn Hall in the County of Durham, Esq’r. to whom this Plate is Dedicated by his much Obliged H’ble Sert. G. Townly Stubbs. Painted by George Stubbs. Engrav’d by G. Townly Stubbs. London Pubd. Jany. 1792 by G.T. Stubbs No. 14 John Street Adelphi.”

Condition: Each generally very good, recently professionally cleaned and deacidified, with only minor remaining toning. Margins a bit short, as typical for separately issued prints of this period, generally slightly outside the platemark, still ample for framing.

References:

Egerton, Judy. George Stubbs, Painter: Catalogue Raisonné. New Haven, CT: Yale University Press, 2007. Items 264 and 275. Online at Google Books: http://books.google.com/books?id=mFrO5o2X2EcC (4 October 2013).

Lennox-Boyd, Christopher, et al. George Stubbs: The Complete Engraved Works. London: Stipple Publishing Limited, 1989. Items 94 and 95, p. 229.

Maxted, Ian. “The London book trades 1775-1800: a preliminary checklist of members.” Exeter Working Papers in British Book Trade History. U.K.: Devon Library and Information Services. 24 January 2005. http://www.devon.gov.uk/library/locstudy/bookhist/lonn.html (Orme) (6 April 2005).

Williamson, George C., ed. Bryan’s Dictionary of Painters and Engravers. London: G. Bell and Sons: 1930. Vol. 5, pp. 139-140 (Stubbs).

Additional information

Century

18th Century