Roses and Vase on a Ledge
Jean Louis Prévost Botanical Print, Paris: c. 1800-13

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Roses and Vase
Roses and Vase
Jean-Louis Prévost (c. 1760- after 1810) (after)
A. Legrand (engraver)
[Roses and Vase on a Ledge], 8e Cier, No. 3
from Cahiers de Fleurs dessineés d’aprés Nature
[Notebooks of Flowers Drawn After Nature]
Paris: c. 1800-13
Hand-colored engraving
15 x 9.75 inches, plate mark
15.5 x 10.25 inches, overall
Sold, please inquire as to the availability of similar items.

Decorative still life botanical study of two softly-colored pink roses, one with a dew drop, arranged as a still life on a ledge in front of a gilt bronze vase with cylindrical glass center. The print is untitled but bears the numbers “8e Cier, No. 3,” meaning Plate 3 of the eighth cahier (French for the eighth fascicle) of a series, most likely Cahiers de Fleurs dessineés d’aprés Nature.

Jean-Louis Prévost was a painter of landscapes and flowers; and frequently worked in watercolor. Born in Nointel, France, he was a student of Bachelier and a member of a circle of painters associated with the great botanical artist Gerrit van Spaendonck. He was a member of the Academy of Saint-Luc, exhibiting paintings of flowers and fruits there from 1791 to 1810, and he also exhibited at the Academie Royale. His works are in the collection of a number of French museums. His best known work is the Collection des Fleurs et des Fruits. A series of Cahiers de Fleurs dessineés d’aprés Nature after Prévost and engraved by A. Legrand was issued in the first quarter of the 19th Century. Prints based on paintings by Prévost were separately issued as well, in the late 18th and early 19th centuries, some bound in composite sets of prints by various makers.

An original Prévost botanical watercolor, and three Prévost botanical prints are in the collection of the Hunt Institute for Botanical Documentation at Carnegie-Mellon University, Pittsburgh, Pennsylvania and are illustrated and described in a book of the collection. According to authors Brindle and White, Prévost's still life images (specifically flowers and fruit in baskets in the Hunt collection) "reflect a characteristically French trend away from Baroque extravagance and toward casual informality."

The name “A. Legrand” appears as the engraver of the works of artists such as Jean-Louis Prévost, Fragonard and E. Aubry. A. Legrand was probably Auguste-Claude-Simon Legrand (1765-1815) a French engraver, who produced prints of religious and literary subjects, views and portraits. He was a pupil of Louis le Grand.

References:

Bénézit, E. Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. France: Librairie Gründ, 1966. Vol. 5, p. 484 (Legrand); Vol. 7, p. 22 (Prévost).

Brindle, John V. and White, James J. Flora Portrayed. Hunt Institute for Botanical Documentation, Carnegie-Mellon University, Pittsburgh, Pennsylvania: 1985. p. 48.

Dunthorne, Gordon. Flower and Fruit Prints of the 18th and Early 19th Centuries. Their History, Makers and Uses, with a Catalogue Raisonne of the Works in Which They are Found. Washington, D.C.: Published by the Author, 1938. p. 229.

McKee, George D. “The Image of France.” ARTFL Project. August 2002. http://www.lib.uchicago.edu/efts/ARTFL/projects/mckee/ (4 May 2005).

Nissen, Claus. Die Botanische Buchillustration: ihre Geschichte und Bibliographie. Stuttgart:1951-66. 1568.

Pritzel, Georg August. Thesaurus Literaturae Botanicae Omnium Gentium. Milan: 1950. 7332.

Sitwell, Sacheverell. Great Flower Books, 1700-1900. New York: The Atlantic Monthly Press, 1990. p. 127.

Stafleu, Frans A. and Richard S.Cowan. Taxonomic Literature. Utrecht: 1967. 2nd ed., Utrecht: 1976-1988. TL2 8319.