Filippo Arena (1708-1789)
Botanical Prints
from La Natura e Coltura dei Fiori Fisicamente Esposta
[The Nature and Cultivation of Flowers Physically Displayed]
Angelo Felicella, Palermo, Sicily: 1767
Hand-colored engravings
7.75 x 12 inches, platemark
9.5 x 14 inches, sheet
$750 each
Filippo Arena Colorful Botanical Prints
Palermo, Sicily: 1767
Shown below are currently available prints. Note: Prints are shown cropped. Full sheet views sent on request.
If you are interested in purchasing one, please inquire. Be sure to specify the plate number.
Palermo, Sicily: 1767
Shown below are currently available prints. Note: Prints are shown cropped. Full sheet views sent on request.
If you are interested in purchasing one, please inquire. Be sure to specify the plate number.
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Above: The images are shown in the Inventory Viewer cropped the way they would typically be matted, but each sheet has wide margins like the example above. Full sheet views sent on request. Below: Details from two of the prints. |
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Lively and highly decorative botanical prints, with rich hand-coloring, all in a horizontal format. The compositions overall have an informal quality, filling the page with portrayals of various garden plants and details. Their artistic treatment is, at times, sculptural, emphasizing the rounded forms of the flowers. These prints, together with accompany text, were intended to serve as scientific studies for botanists and guides for gardeners and horticulturists. They also were intended as inspiration for painters and sculptors, and for decorative arts designers in creating patterns for china, fabrics, wall paper, etc. Flowers include balsma, daisies, marigolds, pelargonium, lilies, buttercups (ranunculus), angel's trumpet, violets, and exotic species such as yucca.
Filippo Arena was a Jesuit professor of mathematics and philosophy in Palermo. He was interested in the phenomenon of pollination of flowers by insects, which he explored in his work La Natura e Coltura dei Fiori Fisicamente Esposta, published under the name of his nephew, Abbot Ignazio Arena. The work was composed of three volumes: the first on botany and the anatomy and fertilization of flowers, the other two on horticulture, including 60 pages devoted to an in-depth discourse on the creation of a flower garden. The volumes contain a catalog of “noble” species with detailed descriptions of every flower represented in the 65 plates of La Natura. These images were composed by Arena in collaboration with his colleague, painter Mario Cammerari. Many of the renditions of individual flowers were derived from earlier publications, such as Johann Weinmann’s Phytanthoza Iconographia and G.B. Ferrari’s De Florum Cultura.
Condition: Generally very good with the usual overall toning, light wear, soft creases. Some with vertical fold, as issued, not obtrusive.
References:
Nissen, Claus. Die Botanische Buchillustration: ihre Geschichte und Bibliographie. Stuttgart:1951-66. 48.
Pritzel, Georg August. Thesaurus Literaturae Botanicae Omnium Gentium. Milan: 1950. 223.
Shejbal, J. “Gli Autori ed Artisti.” Amo Bulbi. http://www.amo-bulbi.it/gli_artisti.htm (16 March 2004).
Tomasi, Lucia Tongiorgi and Rachel Lambert Mellon. An Oak Spring Flora: Flower Illustration from the Fifteenth Century to the Present Time. New Haven: Yale University, 1997, p. 38.