{"id":21604,"date":"2018-12-28T16:46:14","date_gmt":"2018-12-28T21:46:14","guid":{"rendered":"http:\/\/www.georgeglazer.com\/wpmain\/?page_id=21604"},"modified":"2018-12-28T16:56:50","modified_gmt":"2018-12-28T21:56:50","slug":"about-genre-and-humor-prints","status":"publish","type":"page","link":"https:\/\/www.georgeglazer.com\/wpmain\/about-genre-and-humor-prints\/","title":{"rendered":"About Genre and Humor Prints"},"content":{"rendered":"<div id=\"pl-21604\"  class=\"panel-layout\" ><div id=\"pg-21604-0\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-0-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-0-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>by George Glazer and Helen Glazer \u00a9 2002-2018<\/p>\n<p>Genre, caricature, humorous and satirical prints are historical documents of the social values of the times in which they were made. Genre prints sometimes show how people actually lived at the time, while others depict an idealized view of life that reveal about how people of the era wished to see themselves. Political and social satires serve as records of issues that aroused passions, caused controversy or simply made people laugh. The heyday of both types of prints in England, France and the U.S. was from about 1760 to 1850.<\/p>\n<p>The term \"genre\" on our site covers a broad range of art, from sentimental to cynical, from melodramatic to mocking. The Library of Congress'\u00a0<strong>Thesaurus of Graphic Materials II<\/strong>\u00a0defines genre works as, \"Scenes or incidents of everyday life, such as domestic interiors or rural and village scenes; tableaux; chiefly pre-1900.\" These pictures have their roots in Dutch 17th century paintings of daily life and were very popular during the 18th and 19th centuries. Genre prints may illustrate a story or poem, although sometimes they are stand-alone works where the narrative aspect is implied.<\/p>\n<p><strong>View our current inventory: <a href=\"https:\/\/www.georgeglazer.com\/wpmain\/product-category\/history-people\/genre\/\">Genre<\/a> and <a href=\"https:\/\/www.georgeglazer.com\/wpmain\/product-category\/history-people\/genre-humor\/\">Satire<\/a><\/strong><\/p>\n<\/div>\n<\/div><\/div><\/div><div id=\"pgc-21604-0-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-0-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"1\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21619\" style=\"width: 210px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21619\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21619\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-ladyprint-200x300.jpg\" alt=\"The Connoisseur shows an art lover dressed in framed pictures.\" width=\"200\" height=\"300\" \/><p id=\"caption-attachment-21619\" class=\"wp-caption-text\">\"The Connoisseur\" shows an art lover dressed in framed pictures.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pg-21604-1\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-1-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-1-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"2\" ><div class=\"panel-widget-style panel-widget-style-for-21604-1-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p><span style=\"vertical-align: top;\"><div id=\"attachment_7019\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-7019\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-7019\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/donkeymartinact-300x251.jpg\" alt=\"Martin Act Animal Rights Trial Scene\" width=\"300\" height=\"251\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/donkeymartinact-300x251.jpg 300w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/donkeymartinact-380x318.jpg 380w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/donkeymartinact.jpg 450w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-7019\" class=\"wp-caption-text\">Martin's Act, the first animal-rights law, is satirized in this 1822 print.<\/p><\/div><\/span><\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-1-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-1-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"3\" ><div class=\"panel-widget-style panel-widget-style-for-21604-1-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>On our site, we classify prints as genre prints if they are pre-1900* and fall into one of these categories:<\/p>\n<ul>\n<li>Scenes of daily life.<\/li>\n<li>Comic scenes enacted by people or animals that comment on human behavior.<\/li>\n<li>Moralizing prints by artists such as Hogarth.<\/li>\n<li>Allegorical subjects illustrated by people of that period.<\/li>\n<\/ul>\n<p>The late 18th century in England beginning with the reign of George III was the first great age of cartooning, an explosion of witty and pointed political expression and propaganda. Sometimes the distinction between humorous and genre prints is blurred, as many genre prints incorporate social or political commentary, and a humorous perspective ranging from gently comic to biting satire, often through the use of caricatures.<\/p>\n<p>*Works made after 1900 may be found on our site in\u00a0<a href=\"https:\/\/www.georgeglazer.com\/wpmain\/product-category\/art-design\/illustration-art\/\">Illustration Art<\/a>.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-2\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-2-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-2-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"4\" ><div class=\"panel-widget-style panel-widget-style-for-21604-2-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Some of the most popular genre and humor artists of late 18th and early 19th century England were Thomas Rowlandson, Gillray and H.W. Bunbury, Henry Alken and George Cruikshank. These artists by and large created humorous prints based on scenarios from daily life as well as depicting current events. The British printseller Laurie &amp; Whittle also produced a series of prints illustrating songs performed in London theaters<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-2-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-2-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"5\" ><div class=\"panel-widget-style panel-widget-style-for-21604-2-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_5837\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-5837\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5837\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/laurielobncrab-300x258.jpg\" alt=\"Dick Dock, or the Lobster &amp; Crab\" width=\"300\" height=\"258\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/laurielobncrab-300x258.jpg 300w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/laurielobncrab-380x327.jpg 380w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/laurielobncrab.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-5837\" class=\"wp-caption-text\">Laurie &amp; Whittle were prolific publishers of genre prints, many captioned with verses or popular songs.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-2-2\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-2-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"6\" ><div class=\"panel-widget-style panel-widget-style-for-21604-2-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_5887\" style=\"width: 310px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-5887\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5887\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/rowland-mis-dom-300x212.jpg\" alt=\"Series of Miseries\" width=\"300\" height=\"212\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/rowland-mis-dom-300x212.jpg 300w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/rowland-mis-dom-380x269.jpg 380w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/rowland-mis-dom.jpg 400w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-5887\" class=\"wp-caption-text\"><strong>Miseries Domestic<\/strong> from Thomas Rowlandson's popular <strong>Miseries of Human Life<\/strong> series, 1808<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-3\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-3-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-3-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"7\" ><div class=\"panel-widget-style panel-widget-style-for-21604-3-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_5884\" style=\"width: 222px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-5884\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5884\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/reynolds-sylvia-212x300.jpg\" alt=\"Sylvia\" width=\"212\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/reynolds-sylvia-212x300.jpg 212w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/reynolds-sylvia-269x380.jpg 269w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/reynolds-sylvia.jpg 283w\" sizes=\"auto, (max-width: 212px) 100vw, 212px\" \/><p id=\"caption-attachment-5884\" class=\"wp-caption-text\">\"Fancy pictures\" such as <strong>Sylvia<\/strong> by artists such as Sir Joshua Reynolds reached a wide audience when issued as prints.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-3-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-3-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"8\" ><div class=\"panel-widget-style panel-widget-style-for-21604-3-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_5780\" style=\"width: 247px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-5780\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-5780\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/coquette-237x300.jpg\" alt=\"The Coquette at Her Toilet\" width=\"237\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/coquette-237x300.jpg 237w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/coquette-300x380.jpg 300w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/coquette.jpg 355w\" sizes=\"auto, (max-width: 237px) 100vw, 237px\" \/><p id=\"caption-attachment-5780\" class=\"wp-caption-text\">George Morland's portrayal of <strong>The Coquette at Her Toilette<\/strong> is representative of his style.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-3-2\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-3-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"9\" ><div class=\"panel-widget-style panel-widget-style-for-21604-3-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>Prints were also made after genre paintings by prominent artists such as George Morland, and after the \u201cfancy pictures\u201d (a combination of portrait and genre picture popular in the 18th century) by painters such as Sir Joshua Reynolds and Angelica Kauffman. Kauffman was one of the few women artists of her era who achieved recognition. Many of her works were based on historical and literary subjects, and translated into genre prints by the finest engravers of the day, including Francesco Bartolozzi and William Ryland.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-4\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-4-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-4-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"10\" ><div class=\"panel-widget-style panel-widget-style-for-21604-4-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<p>While some artists engraved or lithographed their own work, most relied on a specialist to translate their original drawings and paintings to the print medium. Stipple engraver Francesco Bartolozzi was much in demand by major British genre artists in the 18th century, notably Angelica Kauffmann, for the superb technique that earned him the nickname \"the god of drawing.\"<\/p>\n<p>In the mid and late 19th century United States, the firms of Currier & Ives and Kellogg were prolific and highly successful producer of genre prints, as lithographs or chromolithographs.<\/p>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-4-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-4-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"11\" ><div class=\"panel-widget-style panel-widget-style-for-21604-4-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21620\" style=\"width: 298px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21620\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21620\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-lovehonour-288x300.jpg\" alt=\"Love and Honour, detail\" width=\"288\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-lovehonour-288x300.jpg 288w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-lovehonour.jpg 298w\" sizes=\"auto, (max-width: 288px) 100vw, 288px\" \/><p id=\"caption-attachment-21620\" class=\"wp-caption-text\">Bartolozzi's mastery of the stipple engraving technique is displayed in this detail from Henry Bunbury's engraving <strong>Love and Honour<\/strong>.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-4-2\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-4-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"12\" ><div class=\"panel-widget-style panel-widget-style-for-21604-4-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21615\" style=\"width: 241px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21615\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21615\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur-231x300.jpg\" alt=\"A genre print shows collectors examining an exhibit of works by George Morland, whose work was frequently reproduced in prints.\" width=\"231\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur-231x300.jpg 231w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur.jpg 239w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><p id=\"caption-attachment-21615\" class=\"wp-caption-text\">A genre print shows collectors examining an exhibit of works by George Morland, whose work was frequently reproduced in prints.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-5\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-5-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-5-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"13\" ><div class=\"panel-widget-style panel-widget-style-for-21604-5-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21618\" style=\"width: 510px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21618\" decoding=\"async\" class=\"size-medium wp-image-21618\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-humphreybig-300x208.jpg\" alt=\"William Humphrey's shop window\" width=\"500\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-humphreybig-300x208.jpg 300w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-humphreybig-380x263.jpg 380w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-humphreybig.jpg 500w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><p id=\"caption-attachment-21618\" class=\"wp-caption-text\">William Humphrey (c.1740-c.1810) was a London engraver and print seller who supplied many of the greatest collectors of his period. This promotional print shows a crowd of Regency England print collectors admiring the latest selection of prints in his shop window.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-5-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-5-1-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"14\" >\t\t\t<div class=\"textwidget\"><p class=\"printpink\"><strong>Separately Issued Prints, Color Plate Books and Print Rooms<\/strong><\/p>\n<p>Many satire and genre prints were separately issued by London print publishers and sellers, such as William Humphrey, whose shop was depicted in the print shown here. Others were published in color-plate books, such as Thomas Rowlandson&#8217;s illustrations for William Combe&#8217;s\u00a0<strong>The Tours of Dr. Syntax<\/strong>\u00a0series.<\/p>\n<p>Georgian collectors would sometimes paste an eclectic display of their prints right on the walls of so-called &#8220;print rooms,&#8221; setting them within paper frames glued to the walls. Some of these rooms still survive intact in British and other European country houses. For today&#8217;s collector, a group of genre and humor prints are decorative and historically interesting framed and hung as a collection.<\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><div id=\"pg-21604-6\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-6-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-6-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"15\" ><div class=\"panel-widget-style panel-widget-style-for-21604-6-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21660\" style=\"width: 211px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21660\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21660\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-genre-printroom-201x300.jpg\" alt=\"A surviving example of an 18th century print room in a Swedish historic house\" width=\"201\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-genre-printroom-201x300.jpg 201w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-genre-printroom-255x380.jpg 255w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-genre-printroom.jpg 302w\" sizes=\"auto, (max-width: 201px) 100vw, 201px\" \/><p id=\"caption-attachment-21660\" class=\"wp-caption-text\">A surviving example of an 18th century print room in a Swedish historic house, where the print has been glued to the wall and embellished with a hand-painted border.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-6-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-6-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"16\" ><div class=\"panel-widget-style panel-widget-style-for-21604-6-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_4441\" style=\"width: 237px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-4441\" loading=\"lazy\" decoding=\"async\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/grecianbend-227x300.jpg\" alt=\"Fashion Satire, The Grecian Bend: Fifth Avenue Style\" width=\"227\" height=\"300\" class=\"size-medium wp-image-4441\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/grecianbend-227x300.jpg 227w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/grecianbend-287x380.jpg 287w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2017\/02\/grecianbend.jpg 416w\" sizes=\"auto, (max-width: 227px) 100vw, 227px\" \/><p id=\"caption-attachment-4441\" class=\"wp-caption-text\">Currier and Ives are known for their sentimental and nostalgic subjects but they also produced satirical prints, like this one of a fashion trend for large bustles in 1868.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-6-2\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-6-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"17\" ><div class=\"panel-widget-style panel-widget-style-for-21604-6-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21615\" style=\"width: 241px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21615\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21615\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur-231x300.jpg\" alt=\"A genre print shows collectors examining an exhibit of works by George Morland, whose work was frequently reproduced in prints.\" width=\"231\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur-231x300.jpg 231w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/about-connoisseur.jpg 239w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><p id=\"caption-attachment-21615\" class=\"wp-caption-text\">A genre print shows collectors examining an exhibit of works by George Morland, whose work was frequently reproduced in prints.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-7\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-7-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-7-0-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"18\" ><div class=\"panel-widget-style panel-widget-style-for-21604-7-0-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21663\" style=\"width: 255px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21663\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21663\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/kauffmanport-245x300.jpg\" alt=\"Angelica Kauffman\" width=\"245\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/kauffmanport-245x300.jpg 245w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/kauffmanport-310x380.jpg 310w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/kauffmanport.jpg 326w\" sizes=\"auto, (max-width: 245px) 100vw, 245px\" \/><p id=\"caption-attachment-21663\" class=\"wp-caption-text\">Angelica Kauffman, whose paintings of literary subjects were frequently produced as prints.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-7-1\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-7-1-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"19\" ><div class=\"panel-widget-style panel-widget-style-for-21604-7-1-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21667\" style=\"width: 257px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21667\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21667\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/bartolozziport-247x300.jpg\" alt=\"Francesco Bartolozzi\" width=\"247\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/bartolozziport-247x300.jpg 247w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/bartolozziport-313x380.jpg 313w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/bartolozziport.jpg 329w\" sizes=\"auto, (max-width: 247px) 100vw, 247px\" \/><p id=\"caption-attachment-21667\" class=\"wp-caption-text\">Mezzotint engraver\u00a0Francesco Bartolozzi, considered the pre-eminent stipple engraver of his time.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-7-2\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-7-2-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"20\" ><div class=\"panel-widget-style panel-widget-style-for-21604-7-2-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21669\" style=\"width: 261px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21669\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21669\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/gilrayport-251x300.jpg\" alt=\"James Gillray\" width=\"251\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/gilrayport-251x300.jpg 251w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/gilrayport-318x380.jpg 318w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/gilrayport.jpg 335w\" sizes=\"auto, (max-width: 251px) 100vw, 251px\" \/><p id=\"caption-attachment-21669\" class=\"wp-caption-text\">James Gillray, who almost single-handedly invented the genre of British political caricature.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-7-3\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-7-3-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"21\" ><div class=\"panel-widget-style panel-widget-style-for-21604-7-3-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21665\" style=\"width: 228px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21665\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21665\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-218x300.jpg\" alt=\"Thomas Rowlandson\" width=\"218\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-218x300.jpg 218w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-600x826.jpg 600w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-276x380.jpg 276w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-768x1058.jpg 768w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport-744x1024.jpg 744w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/rowlandsonport.jpg 854w\" sizes=\"auto, (max-width: 218px) 100vw, 218px\" \/><p id=\"caption-attachment-21665\" class=\"wp-caption-text\">Thomas Rowlandson, watercolorist, draftsman and engraver, known for gently humorous and lively portrayals of contemporary life.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><div id=\"pgc-21604-7-4\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-7-4-0\" class=\"so-panel widget widget_sow-editor panel-first-child panel-last-child\" data-index=\"22\" ><div class=\"panel-widget-style panel-widget-style-for-21604-7-4-0\" ><div\n\t\t\t\n\t\t\tclass=\"so-widget-sow-editor so-widget-sow-editor-base\"\n\t\t\t\n\t\t>\n<div class=\"siteorigin-widget-tinymce textwidget\">\n\t<div id=\"attachment_21664\" style=\"width: 241px\" class=\"wp-caption alignnone\"><img aria-describedby=\"caption-attachment-21664\" loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-21664\" src=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/morlandport-231x300.jpg\" alt=\"George Morland\" width=\"231\" height=\"300\" srcset=\"https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/morlandport-231x300.jpg 231w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/morlandport-293x380.jpg 293w, https:\/\/www.georgeglazer.com\/wpmain\/wp-content\/uploads\/2018\/12\/morlandport.jpg 308w\" sizes=\"auto, (max-width: 231px) 100vw, 231px\" \/><p id=\"caption-attachment-21664\" class=\"wp-caption-text\">George Morland was among the great Georgian-era genre artists. His paintings were frequently published as prints.<\/p><\/div>\n<\/div>\n<\/div><\/div><\/div><\/div><\/div><div id=\"pg-21604-8\"  class=\"panel-grid panel-no-style\" ><div id=\"pgc-21604-8-0\"  class=\"panel-grid-cell\" ><div id=\"panel-21604-8-0-0\" class=\"so-panel widget widget_text panel-first-child panel-last-child\" data-index=\"23\" >\t\t\t<div class=\"textwidget\"><p><em>All rights reserved. No part of this document may be reproduced in any form or by any means without written permission of the authors.<\/em><\/p>\n<\/div>\n\t\t<\/div><\/div><\/div><\/div>","protected":false},"excerpt":{"rendered":"<p>by George Glazer and Helen Glazer \u00a9 2002-2018 Genre, caricature, humorous and satirical prints are historical documents of the social values of the times in which they were made. Genre prints sometimes show how people actually lived at the time, while others depict an idealized view of life that reveal about how people of the [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-21604","page","type-page","status-publish","hentry","post"],"_links":{"self":[{"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/pages\/21604","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/comments?post=21604"}],"version-history":[{"count":46,"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/pages\/21604\/revisions"}],"predecessor-version":[{"id":21675,"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/pages\/21604\/revisions\/21675"}],"wp:attachment":[{"href":"https:\/\/www.georgeglazer.com\/wpmain\/wp-json\/wp\/v2\/media?parent=21604"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}