This view is in the general format and size of a vue d’optique — a perspective view produced as a hand-colored print generally intended to be viewed through a convex lens. Vues d’optique often were rendered in high-key color and dramatic linear perspective which enhanced the illusion of three-dimensionality when viewed through the lens, making it seem like the viewer was really there. Thus, they served as a form of visual entertainment. The viewing devices were known variously as zograscopes, optiques, optical machines and peepshows. According to the Getty Research Institute, street performers would set up viewing boxes with a series of prints giving a pictorial tour of famous landmarks, dramatic events and foreign lands. Vues d’optique were also purchased by Grand Tour travelers as souvenirs to be viewed at home as a parlor activity. To cater to this broad audience, the prints often had titles and descriptions in two or more languages. Because the images are reversed in viewing devices, the main titles on some vues d’optique are backwards. Vues d’optique were also hung on walls as decoration.
Charles Paul Labelye was a British artist and engineer.
Condition: Very good with the usual overall light toning and wear. Extremely faint scattered pale foxing. Short tear upper margin professionally restored.
“Emperor’s Palace in Beijing.” Devices of Wonder. J. Paul Getty Trust. 2001. http://www.getty.edu/art/exhibitions/devices/html/homepage.html (30 September 2002).
“North View of Westminster Bridge with vessels on the River Thames (Item 20203).” Collage, City of London . http://collage.cityoflondon.gov.uk/collage/app?service=external/Item&sp=Zwestminster+bridge&sp=18168&sp=X (4 June 2009).