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View, New York City, Upper East Side, Woldemar Neufeld, Queensboro Bridge Entrance, Vintage Print, 20th C.

$1,900

Woldemar Neufeld (1909-2002)
Queensboro Bridge Entrance
American: 3rd Quarter 20th Century
Color-printed linocut, artist’s proof
Titled, signed and labeled lower margin, initialed in block lower right
Provenance: Purchased directly from the artist by the previous owner
13.75 x 23.5 inches, image
19 x 28 inches, overall
$1,900

Colorful block print of the upper level entrance to the Queensboro Bridge, also known as the 59th Street Bridge, in the Lenox Hill neighborhood on New York’s Upper East Side, showing cars, trucks, a taxi, and four pedestrians under a blue sky. The blue car in the foreground is in the style of 1940s automobiles, so the print quite possibly dates to the late 1940s or early ’50s. Spanning the East River between Manhattan between 59th and 60th Streets and Long Island City in Queens, the bridge is officially known since 2011 as the Ed Koch Queensboro Bridge. It was completed in 1909, and for eight years was the longest cantilever span in North America. This particular print is labeled “Proof” in the artist’s hand and also signed, which means it is an independent work of art and not part of an edition.

Product description continues below.

Description

Woldemar Neufeld was an artist primarily known for his oils, watercolors, and block prints. He spent his teen and young adult years in Canada, and most of his adult life in the U.S., but remained a beloved artist there, the subject of exhibitions in 2009 to celebrate the centenary of his birth. Neufeld was born in Waldheim, Russia, to a family of German Mennonite descent that immigrated to Canada in 1924 after his father was executed amid the political turmoil following the Russian Revolution and his mother remarried. He attended a preparatory school on what is now the Wilfred Laurier University campus followed by study at Ontario College of Art. He continued his studies at the Cleveland Institute of Art and earned a B.S. in art education from Case Western Reserve University.

In 1945, Neufeld moved from Cleveland to the Upper East Side of New York City, where he became known as the “artist laureate of the East River,” recording his impressions of the waterfront neighborhoods in oils, watercolor and block prints. He served as art director of the East River Artists from 1948 to 1975. In 1976, his works were shown in New York City at the South Street Seaport Museum in an exhibit titled “Yesterday’s Lower Manhattan.”

In 1949, Neufeld purchased a farm in New Milford, Connecticut, where he was based for the rest of his life, though he maintained a New York studio until 1980. In New Milford he opened a studio, gallery and — until 1965 — a summer art school, and focused his own artistic efforts on landscape painting inspired by the Housatonic River Valley countryside. He was a member of Connecticut’s Silvermine Guild and participated in their exhibitions including a one-person show in 1957.

Even after his death, Neufeld remains a popular artist in the Kitchener-Waterloo and Toronto areas of Ontario where he spent his early years and associated with Canada’s leading artists as a young man in the 1920s and ’30s. The largest collection of his work — some 400 pieces — belongs to the Permanent Art Collection at Wilfred Laurier University, where he received an honorary doctorate in 1988. It has produced a catalog of his paintings and block prints, Woldemar Neufeld’s Canada: A Mennonite Artist in the Canadian Landscape 1925-1995 (2002). The City of Waterloo and Conrad Grebel College also hold collections of his work, some of which appear in the book Waterloo Portfolio: Woldemar Neufeld’s Paintings of Waterloo, Ontario (1982). His works are also in numerous American museum collections including the Metropolitan Museum of Art and the Cleveland Museum of Art.

Condition: Generally fine overall, the colors bright, with minor toning, wear, handling. This print had been purchased directly from Neufeld by the former owner, and formed part of a large collection of his works. Relatively, this is one of Neufeld’s larger prints.

References:

Gilbert, Dorothy B., ed. Who’s Who in American Art. New York: American Federation of Arts and R.R. Bowker, 1959. p. 419.

Helsen, Marc Miquel. “Woldemar Neufeld Art Gets Its Own Gallery.” Woolwich and Wellesley Townships Observer. 19 June 2009. http://observerxtra.com/2/business/woldemar-neufeld-art-gets-its-own-gallery/ (31 May 2019).

“Neufeld, Woldemar Heinrich (1909-2002).” Global Anabaptist Mennonite Encyclopedia Online. 1996-2019. https://gameo.org/index.php?title=Neufeld,_Woldemar_Heinrich_(1909-2002) (31 May 2019).

“Woldemar Neufeld.” Wilfrid Laurier University, Robert Langen Art Gallery, Collections. 2011. http://www.wlu.ca/page.php?grp_id=12554&p=18143 (22 September 2011).

“Woldemar Neufeld 1909-2002.” Housatonic Valley Association. http://www.hvatoday.org/show.cfm?page=events/neufeldbio.htm&folder=events (22 September 2011).

“Work of Woldemar Neufeld displays Yesterday’s Manhattan in Whitinsville.” The Pulse Magazine. 28 August 2018. http://thepulsemag.com/wordpress/2018/08/work-of-woldemar-neufeld-displays-yesterdays-manhattan-in-whitinsville (31 May 2019).

Additional information

Century

20th Century