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Sporting Art, Horses, Alfred James Munnings, His Old Demesne, Vintage Print, 20th C.


Alfred James Munnings (1878-1959) (after)
His Old Demesne
Frost & Reed, Bristol & London: 2nd Quarter 20th Century
Offset color lithograph, artist proof
Signed in pencil lower right margin: A.J. Munnings
Copyright notice in matrix, lower left: © F & R
Blind stamp in lower left margin: EFC
19 x 23.75 inches, image
21.75 x 26 inches, mat window
24.5 x 29.5 inches, overall

Three aristocratic riders on horseback, two women and a man, stopped on a grassy field on a hill of an English country estate, overlooking a sweeping view that includes an estate house in the distance. The two women wear long skirts, top hats, and white gloves, and ride sidesaddle; one wears bright red lipstick and puffs a cigarette. The man wears a red riding coat with tails, white breeches and a top hat; his head tilted back, he drinks from a flask. The view is framed on the right by part of a tall stone pediment topped by sculptures of two horses, and by long shadows cast on the sunlit grass. The word “demesne” in the title refers to land belonging to the lord of a manor and retained for his own use.

The print is in a vintage mat and frame with a label from The Sportsman’s Gallery of New York, verso. The original oil painting on the print is based sold at auction in 1999 for over two million dollars.

Product description continues below.


Sir Alfred James Munnings was a British painter of landscapes, sporting and genre scenes, with an enduring reputation for his equestrian portraits. According to Sotheby’s, in describing the original painting, “Munnings’ mastery of horses of all types and dispositions often brought him comparisons to George Stubbs” while the striking skies in his landscapes are reminiscent of those of John Constable.  “What is less often observed is how carefully Munnings had studied the social painters of the eighteenth- and nineteenth-centuries, the artists like Wootton, Gainsborough, or Wright of Derby, who wrote the social history of the British nation in their paintings. Munnings was a master of the conversation piece as well as the sporting picture. He could paint the king and queen at the races one week, the traveling people the next.”

Perhaps Munnings’s keen observations of social behavior derived in part from his study of art, but it seems likely that he was also informed by his experiences as a rural working class man moving into the rarefied realms of the Royal Academy and aristocratic patronage in class-conscious England. He grew up in the countryside of Suffolk, the son of a miller, and at age 14 began a six-year apprenticeship with a firm of Norwich lithographers, studying painting in evening courses at the Norwich School of Art. After his apprenticeship, he set his sights on becoming an artist, persevering despite losing sight in one eye around the age of 20. The following year, in 1899, two of his paintings were shown at the Royal Academy Summer Exhibition. He also studied in Paris around 1902-03. A few years later, he went to Cornwall and affiliated himself with the Newlyn School of artists, who were interested in plein air painting. During World War I, Munnings accompanied the Canadian Cavalry Brigade to France as an official war artist. In 1919, he painted his first racehorse, a Grand National winner, and became an associate of the Royal Academy, achieving full membership in 1926, and serving as president from 1944-49. He was knighted in 1945, and received the additional title of Knight of the Royal Victorian Order in 1947. After Munnings’s death, his home, Castle House, Dedham became a museum of his work. Other museums housing his paintings include the National Museums, Liverpool, England, and the Art Gallery of New South Wales in Sydney, Australia. As of May 2017, according to Sotheby’s auction house, a catalogue raisonné of Munnings’s works was being compiled by Lorian-Peralta Ramos.

Frost & Reed is a British firm dealing in fine art, established in 1808. From 1920s into the ‘50s, they published prints after Munnings’s paintings. The company currently has galleries in both London and New York.

Full title and publication information lower margin: His Old Demesne from the Original Painting by the President of the Royal Academy Sir Alfred Munnings, K.C.F.O. A “Homelovers” Print Published in 1949 by Frost & Reed Ltd. Fine Art Publishers, Bristol & London, England. Copyright in all countries including the U.S.A. (Printed in England.)

Condition: Print very good with the usual overall light toning, having large margins, with toning in margins from mat, but not visible as matted. Original Hogarth style frame, with black panel and gilt decoration, generally very good with the usual wear.


Barnes, Jonathan. “New record set for Munnings paintings.” East Anglian Daily Times. 7 May 2004. (29 April 2019).

Booth, Stanley. “Sir Alfred Munnings.” Castle House. (10 April 2006).

“Further Reading: The Friesian Bull by Sir Alfred James Munnings.” National Museums, Liverpool. December 2004. (10 April 2006).

“European Art Lot 73, Portrait of Mr. Bayard Tuckerman.” Sotheby’s. 24 May 2017. (16 January 2018).

“Sir Alfred James Munnings.” Frost & Reed on (10 April 2006).

“Sir Alfred James Munnings.” The Grove Dictionary of Art. New York: Macmillan. 2000. (10 April 2006).