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Botanical, Art, Prevost, Iris, Tulip, Laurel, Antique Print, Paris Early 19th Century


Jean Louis Prévost (c. 1760-after 1810)
Frechot (engraver)
Iris Flambé, Tulippe, Laurier St. Antoine
[Iris Flambé, Tulip, and St. Anthony’s Laurel, Book 10, Plate 4]
Basset, Paris: Early 19th Century
Hand-colored stipple engraving, heightened with gum arabic
9.5 x 15.75 inches print overall
$675 in custom gold leaf frame with French mat

Botanical print of three varieties of garden flowers depicted side by side: an iris, a variegated tulip, and a St. Anthony’s Laurel (Chamaenerion angustifolium). The three graceful blooms are illustrated in the Dutch taste with stem and leaves, as well as buds for the laurel, against the plain background of the paper. They are finely shaded and heightened with gum arabic to convey a three-dimensional effect. One of the tulip leaves is shown with a droplet of water on it.

Product description continues below.


Jean Louis Prévost was a painter of landscapes and flowers; and frequently worked in watercolor. Born in Nointel, France, he was a student of Nicolas Bachelier and a member of a circle of painters associated with the great botanical artist Gerrit van Spaendonck. He was a member of the Academy of Saint-Luc, exhibiting paintings of flowers and fruits there from 1791 to 1810, and he also exhibited at the Academie Royale. His works are in the collection of a number of French museums. His best known work is the Collection des Fleurs et des Fruits (Vilquin, Paris: 1805).  Prévost botanical prints in similar size and style were published “chez Basset,” Rue St. Jacques in the early 19th century.  In addition, in the same period, a series of Cahiers de Fleurs dessineés d’aprés Nature after Prévost and engraved by A. Legrand was issued.  Prints based on paintings by Prévost were separately issued as well, in the late 18th and early 19th centuries, some bound in composite sets of prints by various makers.

An original Prévost botanical watercolor, and three Prévost botanical prints are in the collection of the Hunt Institute for Botanical Documentation at Carnegie-Mellon University, Pittsburgh, Pennsylvania and are illustrated and described in a book of the collection. According to authors Brindle and White, Prévost’s still life images (specifically flowers and fruit in baskets in the Hunt collection) “reflect a characteristically French trend away from Baroque extravagance and toward casual informality.”

Full publication information: 10e. Cahier. Pl. 4. Dessiné par Prevost [sic]. Gravé par Frechot. A Paris chez Basset. M’d. d’Estampes et Fabricant de Papiers peints, rue St. Jacques au coin de celle des Mathurins, No. 64. Déposé a la Bibliotheque Impériale.

Condition: Generally very good with the usual overall light toning, wear, handling, Few short tears restored verso. Printed on laid paper.


Bénézit, E. Dictionnaire critique et documentaire des Peintres, Sculpteurs, Dessinateurs et Graveurs. France: Librairie Gründ, 1966. Vol. 7, p. 22 (Prévost).

Brindle, John V. and White, James J. Flora Portrayed. Hunt Institute for Botanical Documentation, Carnegie-Mellon University, Pittsburgh, Pennsylvania: 1985. p. 48.

Dunthorne, Gordon. Flower and Fruit Prints of the 18th and Early 19th Centuries. Their History, Makers and Uses, with a Catalogue Raisonne of the Works in Which They are Found. Washington, D.C.: Published by the Author, 1938. p. 229.

McKee, George D. “The Image of France.” ARTFL Project. August 2002. (4 May 2005).

Nissen, Claus. Die Botanische Buchillustration: ihre Geschichte und Bibliographie. Stuttgart:1951-66. 1568.

Pritzel, Georg August. Thesaurus Literaturae Botanicae Omnium Gentium. Milan: 1950.

Sitwell, Sacheverell. Great Flower Books, 1700-1900. New York: The Atlantic Monthly Press, 1990. p. 127.

Stafleu, Frans A. and Richard S.Cowan. Taxonomic Literature. Utrecht: 1967. 2nd ed., Utrecht: 1976-1988.

Additional information


19th Century