Sir Joshua Reynolds was the foremost portrait painter in England in the 18th century, and was extremely influential on later generations of artists. His poses were intended to invoke classical values and to enhance the dignity of his sitters, as is evident in his treatment of this young rural girl. His style incorporated strong lighting, rich color and bravura paint handling. He also made history and “fancy pictures.” As first president of the Royal Academy in London, he significantly raised the profile of art and artists in Britain. Reynolds is also known for his eloquent Discourses on Art, delivered to the students and members of the Academy between 1769 and 1790.
John Jones, the publisher, was a London-based engraver and printseller active from 1775. He was a mezzotint and stipple engraver mainly of portraits by Reynolds, Romney and others, who published most of his plates himself. He exhibited at the Society of Artists from 1780-91 and served as Engraver Extraordinary to the Prince of Wales from 1790-97.
Condition: Generally very good with the usual overall light toning, wear, soiling, soft creases. Trimmed to image on three sides with slight resultant losses.
Maxted, Ian. “The London book trades 1775-1800: a preliminary checklist of members.” Exeter Working Papers in British Book Trade History. 2001. http://www.devon.gov.uk/library/locstudy/bookhist/loni.html (15 April 2002).
“Sir Joshua Reynolds.” The Grove Dictionary of Art. New York: Macmillan. 2000. Artnet.com.http://www.artnet.com/library/07/0717/T071710.asp (15 April 2002).